Monk´s hood

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Spisovateľ: Peters Ellis
Vydavateľ: Futura
Rok vydania: 1991
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Katalogové číslo: L1267

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Cudzojazyčná / Anglická

Gervase Bonel is a guest of Shrewsbury Abbey of Saint Peter and Saint Paul when he suddenly takes ill. Luckily, the abbey boasts the services of the clever and kindly Brother Cadfael, a skilled herbalist. Cadfael hurries to the man’s bedside, only to be confronted with two surprises: In Master Bonel’s wife, the good monk recognizes Richildis, whom he loved before he took his vows—and Master Bonel has been fatally poisoned by monk’s-hood oil from Cadfael’s stores... v angličtine, brožovaná, menší formát, 270 strán

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Immunobiology - the immune system in health and disease

Spisovatel: Kolektív autorov, 1996
Katalogové číslo: N3011

Contents - an introduction to immunobiology, The recognition of antigen, The development of lymphocyte repertoires, The adaptive immune response, The immune system in health and disease... v angličtine, brožovaná, veľký formát,

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Those Golden Days

Spisovatel: Spencer Sally, Orion 1996
Katalogové číslo: H170

The shadow of war hangs over the village of Marston, and Becky worries that her hot-headed son Billy will enlist the army. Her daughter Michelle is another cause for concern - since her illness she has withdrawn into herself, and Becky fears she will never be able to find real happyness. And Becky is not even aware of the great danger which looms on the horizon in the shape of her wicked brother -in-law Richard Worrel, who is determined to use his own son to destroy Beck's family.... malý formát, brožovaná, v angličtine, 295 strán

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán