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The Gypsy Madonna

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Spisovateľ: Montefiore Santa
Vydavateľ: Hodder
Rok vydania: 2006
Stav knihy: 
Katalogové číslo: G3555
Kategória v ktorej je kniha zaradená:
Mischa knows what it is to be abandoned. His German father disappeared at the end of the war, leaving him and his mother to endure the hatred and contempt of all the French villagers, the two of them against the world. And his surrogate father vanishes too, with no word of explanation. Mischa bears these scars into manhood. Only when his mother dies, revealing the existence of a priceless masterpiece, does he go on the trail of his own history. He makes a pilgrimage into the past, to that French village of his childhood, and there he uncovers the secret of the Gypsy Madonna.... v angličtine, brožovaná, 372 strán
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When the new teacher first arrives, Barbara immediately senses that this woman will be different from the rest of her staff-room colleagues. But Barbara is not the only one to feel that Sheba is special, and before too long Sheba is involved... v angličtine, brožovaná, 245 strán
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A novel read by the author. "Gone With the Wind" has come to the Ritz, and the mill-women have taken up a collection to send Belle, their own storytelling star to the best seat. Next day, as she tells them at the grim looms of Gable and Leigh, a handsome newcomer watches silently from a doorway... v angličtine, obal, tvrdá väzba, 413 strán
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Theatre and humanism in a world of violence
Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469
What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán
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