The Man with The Power

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Spisovateľ: Thomas Leslie
Vydavateľ: Pan Books
Rok vydania: 1975
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Katalogové číslo: G6343

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Cudzojazyčná / Anglická

Willie Turpin went to America in search of his runaway wife,Silvie the striptease queen. He never intended to trek from NY do Las Vegas dressed up as a pseudo-Jesus and shouldering a wooden cross.But these things do happen... v angličtine,menší formát,brožovaná,251 strán

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That they may face the rising sun

Spisovatel: John McGahern, Faber and Faber Limited 2002
Katalogové číslo: I7900

Joe and Kate Ruttledge have come back to Ireland from London in search of a different life. There is John Quinn, who will stop at nothing to ensure a flow of women: Johnny, who left for England 20 years before in pursuit of love: Jimmy Joe McKiernan, uctioneer, undertaker and head of the local IRA: and the gentle Jamesie and his wife Mary who have neer left the lake and know everything that happens in the area ... 300 strán, obal, tvrdá väzba

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The oxford companion to wine

Spisovatel: Robinson Jancis, Oxford university press 2006
Katalogové číslo: O102

Companion to Wine presents more than 3 000 entries on every wine-related topic imaginable, from regions adn grape varieties to the owners, connoisseurs, growers, and personalities in wine through the ages, from viticulture and oenology to the history of wine, from its origins to the present day.... v angličtine, obal, tvrdá väzba, veľký formát, 815 strán

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán