The Qur'an and Its Impact on Human History

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Spisovateľ: Brohi Allahbukhsh. K.
Vydavateľ: The Islamic Foundation
Rok vydania: 1979
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Katalogové číslo: L8270

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We feel great pleasure in bringing out a new edition of this pamphlet in view of the continuing demand for short essays on various aspects of Islam... v angličtine, brožovaná, 20 strán

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Red gold

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Paris. Autumn, 1941. In a shabby hotel off the place Clichy, the course of the French resistance is about to change. German tanks are rolling toward Moscow. Stalin has issued a decree: all partisan operatives are to strike behind enemy lines--from Kiev to Brittany. Set in the back streets of Paris and deep in occupied France, Red Gold moves with quiet and pervasive menace as predators from the dark edge of the war--arms dealers, lawyers, spies, and assassins--emerge from the shadows of the Parisian underworld. In their midst is Jean Casson, once a producer of gangster films, now living on a few francs a day and hunted by the Gestapo. As the German occupation tightens, Casson is drawn into an ill-fated mission: running guns to combat units of the French Communist party. Their NKVD contact, a former Comintern operative named Weiss--his seventeenth name--begins to orchestrate a series of attacks against the Germans. Reprisals are brutal. Fear spreads through the city. At last the real resistance has begun. Red Gold masterfully recreates the duplicitous world of the French resistance in the worst days of World War II....brožovaná, 258 strán, v angličtine,väčší formát

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán