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The Panic of ´89

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Spisovateľ: Erdman Paul
Vydavateľ: Sphere Books Limited
Rok vydania: 1986
Stav knihy: 
Katalogové číslo: H4224
Kategória v ktorej je kniha zaradená:
Erdman's cool, incisive style heightens the effects in his new novel, topping The Crash of '79 and his other bestsellers. The hero, Paul Mayer, resembles the author; both are eminent economists and natives of Sweden now living in the U.S. As 1989 looms, Mayer contemplates a grim future, with troubles amassing since the second term of America's "luckiest" President, blameless and unworried during his last days in office. The stock market drops out of sight. Banks are falling like dominoes. Foreign countries default wholesale on huge loans to the U.S. These are among the possibilities Erdman graphically spells out, sending shock waves through the reader. The cast of characters is also strikingly real. International conspirators include Arabs and Venezuelans, a Swiss banker, a motley gang with designs on each other and on the main objective, the Bank of America. As the narrative accelerates, so do the crises that Mayer and a few allies commit themselves to averting. If they succeed, the valiant team will belong in the company of Atlas, Hercules and other doers of the impossible... v angličtine, malý formát, brožovaná, 310 strán
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Theatre and humanism in a world of violence
Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469
What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán
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