The gadfly

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Spisovateľ: Voynich E. L.
Vydavateľ: ?
Rok vydania: 1973
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Katalogové číslo: L8598

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Cudzojazyčná / Anglická

Arthur sat in the library of the Theological Seminary at Pisa, looking through some manuscripts. It was a hot evening in June, and the windows of the library were wide open... v angličtine, úvod v ruštine, brožovaná, 120 strán

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Hitler's Mountain Troops: Fighting at the Extremes

Spisovatel: Lucas James, Cassell Military Classics 1999
Katalogové číslo: N1553

Warfare in the mountains--with its extremes of temperature and treacherous terrain--is unique and difficult. Hitler's Gebirgsjaeger, specially chosen troops of men who usually came from the Alpine regions, frequently succeeded in winning (or at least escaping) where others would have failed... brožovaná, v angličtine, 224 strán

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Are you experienced?

Spisovatel: Sutcliffe William, Penguin books 1997
Katalogové číslo: O88

Liz loves India, hugs the beggars, and is well on her way to finding her tantric center. Dave, however, realizes that he hates Liz, and has bad karma toward his fellow travelers: Jeremy, whose spiritual journey is aided by checks from Dad; Jonah, who hasn’t worn shoes in a decade; and Fee and Caz, fresh from leper-washing in Udaipur... v angličtine, brožovaná, menší formát, 235 strán

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán