Warfare - a chronological history

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Zľava: 5 %
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Spisovateľ: Cross Robin
Vydavateľ: Wellfleet
Rok vydania: 1991
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Katalogové číslo: N4049

Kategória v ktorej je kniha zaradená:

Cudzojazyčná / Anglická

The definnitive account of the evolution of war, key battles, technologies, commanders, theorists... v angličtine, obal, tvrdá väzba, veľký formát, 256 strán

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The Bloodstone Papers

Spisovatel: Duncan Glen, Pocket Books 2006
Katalogové číslo: E8274

This story is set in India, 1946. Ross Monroe is a boxer, a Catholic, an Anglo-Indian - part of the race that runs the administrative side of the Empire for the English. Light enough in skin to join the RAF during the war, after being demobbed he took up a post in the Indian railway, all the while knowing that boxing would take him to the next Olympics, and then to England and a career as a professional. Until a man called Skinner robs him first of his money, in a scam in the marketplace, and then of his identity, in the ring. In England, 2005, Owen Monroe thinks he has a lead on where Skinner is now - a novel he's found which tells the story of a young boxer, a Catholic, an Anglo-Indian, who works for the railways... v angličtine, brožovaná, 410 strán

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Panorama 2009

Spisovatel: Majer, Ondrejcsák, Tarasovič, Valášek, Cenaa 2009
Katalogové číslo: N4595

Panorama of global security environment 2009... v angličtine, tvrdá väzba, väčší formát, 735 strán

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Theatre and humanism in a world of violence

Spisovatel: Herbert Ian, Stefanova Kalina, St. Kliment Ohridski University press 2009
Katalogové číslo: O2469

What makes violence on stage today so sexy? Until quite recently, violence for its own sake was the prerogative of B-feature films and junk mystery novels. What made theatre follow suit? What is the impact of the theatre of violence on the audience? Doesn't it actually make us conformists? Is there still a place for humanism among all the post-modern isms , including post-human or meta-human theatre? What is the relationship between violence and the aesthetics of ugliness? How does theatre stand against the right of might (and the ensuing violence) which has become a norm today on the stage of the world? And how can theatre and critics help preserve humanistic values on and off stage? Should they even try? This book is the first attempt in such a format to answer these hot questions; an overdue endeavour at a time when human life is becoming more and more devalued and human beings more and more disposable... v angličtine, brožovaná, väčší formát, 288 strán